Linda Motta

Wasabi

The body of work originates from an archive digging into images taken during my four years long experience in London six years ago.
My stay in London coincided with a difficult moment in my life. I lived in 20 square meters where I spent most of my spare time. I watched passers-by from my window. It felt safe.
Many of the images shot during those years had never been opened since. Many of them were then rejected and archived. While I was browsing through the images I tried to find a thread that could lead me to a different interpretation of my story. After so much time I felt the need to work again with those images to make sense of my experience, interpret and archive it.
What follows is a short text I jotted down then which might help understand some of the feelings behind the images – or not.

In London I saw passers-by, unfamiliar faces, in a hurry towards an unknown day, carrying their faces with pride as ennobled by an inner awareness.
In London I saw, restaurants full of guests, oblivious and happy as in a journey to eternal youth.
In London I saw, windows, blind eyes, altars, shameless offers, tributes of flowers.
In London I spied on windows at night, saw glimpses of hands, legs, televisions turned onto the cool of the evening, conversations, tired gestures, rest.
In London I saw caricatures of trees, standing courageous, besieged by houses.
In London I spent weeks in a square meter and saw life through passers by. I saw rich women and poor men. And everything in between. I saw the self confidence of a young man grow, a friendship flourish and die, a love born.
In London I saw boys and girls lying in the sun in their best clothes.
I saw neglected spaces, monster buildings, dirt.
In London I wandered unknown, thought I heard someone calling me – and turned.